issue 67
Cover art “Where my dad grew up,” by Jinghong Chen
Taking refuge in art when reality is too hard to bear isn’t a good long-term strategy, but it sure helps at times. Flash fiction can be a great escape even as it reinforces some hard lessons about life. Here’s what we’ve got in that direction this December:
a girls’ football team calling the play of their lives
stitching a narrative together, literally
waxing everything for the body beautiful
when horsing around becomes serious
a lesson in naming and mourning
the smallest girl who ever lived
a heroic act against immigration authorities
a movie that’s truly a runaway hit
a woman with a photographic memory
in this school, life imitates art copying life
a pinniped threatening your child
in the basement, freezing out family life
making empty conversation during a drive
what to bring an errant lover in prison
riding the Ferris wheel of life
pickpockets on parade
a shoe with a mind of its own
what unsent letters reveal
and a flash collection review about women on the verge
Happy New Year, or let’s hope,
David Galef
Vestal Review
Editor in chief
Stories
Last Play of the Game, by Mario Aliberto III
Lemon Cake, by Alisa Golden
The Altar of Saint Cindy, by Kate Horsley
Instructions for Carrying the Name of Your Dead Brother, by L. F. Khouri
Matinee, by Matt Leibel
The Smallest Girl Who Ever Lived, by Skyler Melnick
Moon Story, by Jennifer Met
The Double Life of Medardo, by Manuel Moyano, translated by James Womack
The Night the Walrus Came to Take My Baby, by Emily Rinkema
Antarctica in the Basement, by Belinda Rowe
A Prison Tree, It Isn’t, by Anna Schachner
Our Trip to Starbucks, by Laura Shell
From the Alleyway by J. D. Strunk
Picture Day, by Eileen Frankel Tomarchio
Cassandra Rides the Big Wheel, by Suzanne Warren
Bleeding Seamonster, by Stan J Wild
When Jack Loses a Shoe, by Francine Witte
The House of Unsent Letters, by Etta Wynn
Interviews & reviews
Review of Woman of the Hour by Claire Polders, by Lucy Zhang